视频推荐
穿越电影推荐,孤儿[电影解说]
电影爱恋在线看,白闻名
韩国电影排行榜前十名,狙魔女杰第一季
素媛案电影,疯人疯语
喋血孤城电影,疯狂的士
葫芦岛电影院,火箭【影视解说】
nwwl女子裸摔全光电影,失踪少女55
比基尼的夏天 电影,好好先生【影视解说】
祖上三代死很惨的电影,心理罪之城市之光【影视解说】
中华英雄1986电影国语,守望者:罪恶迷途【影视解说】
电影兄弟,六连煞【影视解说】
老司机电影网你懂视频,喜剧大会
电影六指琴魔,空难解密第一季
漫威之电影世界大破坏,空乘危机第一季
古天乐电影全部电视剧,太阳之女
韩国19禁性喜剧电影,节日欢歌
4399麻豆影视传媒,繁文琐事第一季
东森电影下载,教师
电影字幕是什么字体,直觉
泡沫之夏电影免费观看完整版,浪客剑心 最终章 追忆篇
金猪贺岁 电影,玻璃屋[电影解说]
国外经典爱情电影,青少年[电影解说]
日本色影视,玉蝎子的魔咒[电影解说]
西瓜电影视,因为你爱过我[电影解说]
电影误杀演员表介绍,棒球男孩
最后一战电影免费观看,深呼吸的必要
电影不忠豆瓣,十二道锋味1
四大天王电影,呼叫班德拉斯
吾爱电影院,第五人
倒霉熊全部大电影,第四类地球人第二季
精灵鼠小弟电影国语版,破碎之城【影视解说】
邹兆龙电影黑色城市,魔鬼代言人【影视解说】
神秘电影 国产一页麻豆,费城故事【影视解说】

拉莉萨

类型: 短片,传记,剧情片,剧情
地区: 其它
年份: 1980
主演: 依莱姆·克里莫夫,Valentin Rasputin,Stefaniya Stanyuta
导演: 依莱姆·克里莫夫

剧情介绍

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
热门推荐